Repertoire
The repertoire of this performance art are categorized into three brackets namely ‘Nritta’, ‘Nritya’ and ‘Natya’ mentioned in ‘Natya Shastra’ and followed by all major Indian classical dance forms. ‘Nritta’ is a technical performance where the dancer presents pure Bharata Natyam movements emphasising on speed, form, pattern, range and rhythmic aspects without any form of enactment or interpretive aspect. In ‘Nritya’ the dancer communicates a story, spiritual themes, message or feelings through expressive gestures and slower body movements harmonised with musical notes. ‘Natyam’ is usually performed by a group or in some cases by a solo dancer who maintains certain body movements for certain characters of the play which is communicated through dance-acting. The dance form typically comprises of certain sections performed in sequence namely Alarippu, Jatiswaram, Shabdam, Varnam, Padam and Thillana.
Roll no :47
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